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João Pais Filipe is not the kind of musician who talks the talk — better yet, the Porto-based artist, who's also an artisan behind its own and unique drum kit, walked the industrial, jazz and avant-garde walk to the point he found a space yet to be occupied by European scholars and their musical notations. In his one of a kind expression, the percussionist bends musical compositions to the point melodies and harmonies are the outcome of rhythmic relations instead of a tyrannic expression ruling over creation. Filipe designed a new direction in sound, which he calls ethno techno and where he manages constant dualities, between mechanic and organic, loops and repetitions, dancefloor explosions and circular mantras. Playing solo, João Pais Filipe takes on electronic dancefloor structures in a quite idiosyncratic way, channeling through his self-designed, handmade percussion kit each layer and idea, imbuing them with non-industrialized imperfections and rustic textures and setting a new path for the genre.
His first, eponymous full-length is composed by three different pieces inhabited by his near-mechanical rhythmic precision and where he reinterprets techno, house and other dancefloor structures through circular patterns and the unprocessed, natural timbres of his kit. An uncanny experience where musique concrète is reshaped to truly moving musical formats created through his own polyrhythmic compositions and unusual bars, while providing relatable and genuinely emotional tunes. João Pais Filipe took the machines' place in order to understand if androids do dream of electric sheep — only to find out they started to with ethno techno.
credits
released September 21, 2018
Composed and performed by João Pais Filipe
Recorded and produced by Brendan Rui Hewsworth
Mixed and mastered by José Arantes
Design by Proto
Thanks to Brendan Rui Hewsworth, José Arantes, Diogo Rapazote, Carolina Bagulho, Mónica Baptista, André Forte and Sofia Arriscado.
supported by 42 fans who also own “João Pais Filipe”
I just love João Pais Filipe relation to rhythm, there is no drumming like his drumming. I really appreciate the fact that he's the manufacturer of his sound, he works on his woods, he makes his cymbals, and I strongly believe that gives a completely new form to the music he makes.
Joao Sousa
Recorded live in Istanbul in 2013, this drum-forward collaboration features three sharp players at their improvisatory best. Bandcamp New & Notable Mar 19, 2022
supported by 36 fans who also own “João Pais Filipe”
Glorious jams unfolding a map of psychedelic wonder-"Here be Monsters." Great via headphones, better through speakers, though neighbours may whinge. vykr